Footsteps
Recorded in foley studio using pits full of different materials, from sand to gravel to magnetic reel tape. Recorded through SM7B.
Heartbeat
Made with thumping on a small box with my hand, layered with a recording of my voice making a thumping sound. Recorded through NT1-A.
Teleporter Droning
Made with a slow pulling apart of a plastic, scrunched up pipe in the foley studio and slowing it down and applying a granulizer effect to it. Recorded with SM7B.
Teleporter Action
Made with a quick pulling apart of the pipe and layering it with my own voice, both running through a granulizer. Recorded with SM7B and NT1-A.
Ice Gem Magic
Made with recording a whoosh sound with my voice and layering it with recordings of a metal chain in the foley studio. The charge up was the chain sound reversed. Recorded with SM7B and NT1-A.
Small Red Goblin Voice
Made with spectacular voice acting from yours truly. Recorded with NT1-A.
Red Goblin Slimeball Attack
Made by tweaking wavetables in Serum VST. Looped and then rendered to also create loop end. Created entirely inside DAW.
"Champion" ADR Re-Record
A project where I was given assets to a clip from the movie "Champion" and re-recorded the voice lines for the TV sports announcer. I recorded the voice lines in the Belmont Foley studio with the help of my room mate as the voice talent. I used an SM7B for the microphone and used Pro Tools to record, edit, and mix.
BRIISU Beats
Currently WIP.
audiobooks
A selection of audiobooks I've worked on. Click a cover to hear a sample on Audible.
I worked alongside Microsoft and Halo Studios, serving as the lead POC for areas such as audio, cinematics, narrative, and localization. I created and executed test plans related to these areas based on work in developers milestones. Additionally, I sent out weekly area health reports and established regular, recurring meetings with the producers and developers for items such as a weekly sync, bug triage, and QA monthly sprint coordination.
Borderlands 4
I worked alongside internal 2K and Gearbox quality assurance leads, ensuring immediate requests and test plans are executed and delivered. Additionally, I created more efficient methods of internal daily task planning and build delivery. Lastly, I created test plans on both Excel and TestRail related to bosses and audio surround sound testing.
Empire of the Ants
I executed created test plans and participated in various playtests and other various server strain scenarios. I additionally tested on multiple platforms, including PC, Xbox, and PS5.
Sunderfolk
I tested through many playthroughs of the game, providing balancing and character design insights based on difficulty and squad layouts. I additionally reported bugs throughout many areas including dialog subtitles, localization, audio, and vfx/animation issues.
About
I have a strong passion for all things audio: audio engineering, sound design/post-production, and music. As a graduate of Belmont University with a B.S. in Audio Engineering, I have years of experience in various studios. I also have experience in quality assurance for games, serving as the QA person of contact for the audio, cinematics, narrative, and localization teams on titles I've shipped such as Halo: Campaign Evolved and Borderlands 4.
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Fringilla nisl. Donec accumsan interdum nisi, quis tincidunt felis sagittis eget tempus euismod. Vestibulum ante ipsum primis in faucibus vestibulum. Blandit adipiscing eu felis iaculis volutpat ac adipiscing accumsan faucibus. Vestibulum ante ipsum primis in faucibus lorem ipsum dolor sit amet nullam adipiscing eu felis.
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i = 0;
while (!deck.isInOrder()) {
print 'Iteration ' + i;
deck.shuffle();
i++;
}
print 'It took ' + i + ' iterations to sort the deck.';
